Garrison Keillor – Prairie Home

I like flying out of the Atlanta airport.

When I go to Trader Joe’s on Columbus Avenue to buy groceries, I do it to buy guy food, which my beloved cannot buy because she knows it’s not good for me.

I went up the coast of Maine last week and came across a wonderful little café and it was so good I pulled out my pad and pen and sat writing for a couple hours.

The third Sunday of June is Father’s Day and if you forgot, that’s okay, we fathers don’t expect to be celebrated, we only want to be forgiven.

A glorious Friday night at the Met Museum in New York, the great halls packed with thousands of teenagers for Teen Night, admission is whatever you care to drop in the box, a couple bucks, the change in your pocket, high school kids mobbing the joint, the Picasso lady, the naked Venus, the Rodin folks, a 15th-century lady, the naked man with a sword, all looking down on rivers of youthful energy, and a teen gospel choir sings in one marble stairway and a brass jazz band plays in another and a dance troupe from India performs in a gallery — everywhere you look, something is happening.

Whenever I open an egg carton, I think of the chicken at work in the factory, creating this elliptical work of art onto a conveyor belt, to be stolen away, and then the hormones in the chicken feed kick in and the process of creation repeats itself, sort of like me and limericks: I write a good one and it stimulates the next limerick and pretty soon I have a hundred of them, which I could collect in a book but won’t because very few people appreciate limericks — women do not, because so many cruel limericks have been written about women, and when men read a limerick they think, “I could’ve done better than that,” being the compulsive competitors they are, and meanwhile here I am with this work of art in my hand.Minneapolis is great.

I went out West to Idaho and Washington to do my show in Boise (soft s) and Spokane, and was surprised by how vibrant, bustling, handsome both cities are, and walked out onstage and sang Van Morrison’s “These are the days of the endless summer, these are the days, the time is now” and they seemed to like it okay, so I hummed a note and they sang “America the Beautiful” with me and then we did “The Battle Hymn of the Republic” for the Republicans in the crowd and they sang it full-out, four parts, and then, for contrast, “John Jacob Jingleheimer Schmidt” and we were on our way.It’s an age of dread, the news perpetually discouraging, TV and media merchandising ugliness, and either you join the Greek chorus of gloom or you go with the American choir of cheerful resolve, and I choose cheerfulness.